I tend to edit some as I go - partly because one of the reasons I don't outline much is that I don't know what the next scene will be until I've actually written the previous scene.
What I would say is that vows and rings don't change anything: the challenges are the same. Every day is just a conscious commitment to making the next day better.
There's something advantageous about having people underestimate your intellect, insomuch as a lot of things are revealed to you. They assume you don't know what you're talking about, then all of a sudden, you do. And the next thing you know, you have information you wouldn't normally have.
I'm from a working-class background, and I've experienced that worry of not having a job next week because the unions are going on strike. I know that because I don't come from a wealthy background.
It's hard to be clear about who you are when you are carrying around a bunch of baggage from the past. I've learned to let go and move more quickly into the next place.
People want their actors to do comedy, too. They don't want any comedians next to the actor. They want one solo hero and want to see everything in him.
It is not always by plugging away at a difficulty and sticking to it that one overcomes it; often it is by working on the one next to it. Some things and some people have to be approached obliquely, at an angle.
Somebody will come up to me after a show and have me sign their arm, and the next time I see them my autograph has been permanently inscribed on their arm.
