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Move Quotes - IQDb - Internet Quotes Database

Quotes on the topic: Move


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I have a great legacy, tarnished somewhat by the move.


I only make storyboards for action scenes. Once you make a storyboard, you don't film; it can be a stiff move.


You reach deep down and bring up what feels absolutely authentic to you as you move along with the book, but you don't know everything about it. You can't.


We probably do not have a large enough industry here to ably support the independent filmmaker to move in and out. Much of the industry is based on full-time jobs here, institutionalised jobs.


If you want a player to serve and volley more, you need to teach them to do that more, how to move at the net.


There are times when I am directing, and there are a couple of moments I didn't get the way I wanted, but I know I still have other angles to shoot and I have to be done by noon; I move on.


I used to watch the world as if it was a performance and I would realize that certain things that people did moved me, and certain things didn't move me, and I tried to analyze, even at that age, six and seven and eight, why I was moved by certain things they did.


I know that if I can't move people, then I have no business being an actor.


I didn't want to be written about as a human-interest story. I didn't want to be a passing thing. You know, now we move on to the fat girl who had her stomach stapled. I didn't want to become a gimmick: the disabled model.


I feel like I have to move violently once a day, or I'll lose my mind.


It was always part of the plan to move into acting.


I just do the best I can and write something interesting, to tell stories in an interesting way and move forward from there.


It's hard to be clear about who you are when you are carrying around a bunch of baggage from the past. I've learned to let go and move more quickly into the next place.


My biggest regret is rolling in regret. It is best to pick yourself up, dust yourself off and move on.


Abscond - to move in a mysterious way, commonly with the property of another.


The people only understand what they can feel; the only orators that can affect them are those who move them.


Those move easiest who have learn'd to dance.


If art doesn't move people, then art has failed.


The only way to make sense out of change is to plunge into it, move with it, and join the dance.


It's hard to really articulate what the parameters are that make one song parody-able and another song not, but if I can come up with a good enough idea for it, I go for it, and if not, then I have to move on.