If I'm a genre writer, I'm at the edge. In the end, they do work like genre fiction. You have a hero, there's a love interest, there's always a chase, there's fighting of some kind. You don't have to do that in a novel. But you do in a genre novel.
For John le Carre, it was always who's betraying who: the hall-of-mirrors kind of thing. When you go back to the '30s, it's a case of good vs. evil, and no kidding. When I have a hero who believes France and Britain are on the right side, a reader is not going to question that.
I don't sense that I am someone's hero, though I'm happy when people like my work. I've learned how to be gracious about it, but I try to let it go by. I've seen how, if people start taking on those accolades, it can ruin them completely.
In the Indian film industry, especially those of us who are in mainstream cinema, we invariably play a typical hero's role. More often than not, we cater to the public perception. However, there is a latent desire in most actors to do a role where you can go all out and experiment.
'Easter' is a movable event, calculated by the relative positions of sun and moon, an impossible way of fixing year by year the anniversary of a historical event, but a very natural and indeed inevitable way of calculating a solar festival. These changing dates do not point to the history of a man, but to the hero of a solar myth.
This character feels so much like my brother. He has two children. He has a wife. He works with me. He chooses to stay in New Hampshire because he wants his kids to grow up in the school they started with. He doesn't want them to lose friends. He is his family's hero.
I was a daredevil before, and after I lost my sight I was the same. I loved riding bikes, scooters and horses. I even learned to box. Muhammad Ali is my hero.
'Babel' is about the point of view of others. It literally includes points of views as experienced from the other side. It is not about a hero. It is not about only one country. It is a prism that allows us to see the same reality from different angles.
I think it's irresponsible when celebrities imply they're doing it all themselves. My son has aunties and uncles around all the time, and my husband is my hero. He's really full-on. I couldn't do it any other way.
My father was a dreamer - my hero. He was a smart, tough guy from Poland, a cutter of lady's handbags, an old socialist-unionist who always considered himself a failure. His big line was: 'Don't end up like me.'
Marie Curie is my hero. Few people have accomplished something so rare - changing science. And as hard as that is, she had to do it against the tide of the culture at the time - the prejudice against her as a foreigner, because she was born in Poland and worked in France. And the prejudice against her as a woman.
Ralph Nader is a hero. I know Ralph, and I call him up occasionally. He's helped me out on a couple of occasions when I've given speeches to corporations where he'd have a good... He'd give me some good information.
It feels wonderful to be go back to the 1940s and recreate the whole era through my clothes, voice and body language. I am tired of playing the larger-than-life hero.
People want their actors to do comedy, too. They don't want any comedians next to the actor. They want one solo hero and want to see everything in him.
