If you take a cold, blunt view of most religions, and you sort of say, 'Well, here's the basis for it,' most of them sound crazy. It's the belief that makes them real. I was interested in that question: When does a belief become a myth? When does something you believe in become just a story?
Ezekiel Boone's books, starting with 'The Hatching' series, are meant to be big, sprawling, smart, entertaining books that are fun above all else; the literary novels written under my real name, Alexi Zentner, are certainly a little more quiet.
My daughters are both funny and smart and lots of fun. They play lacrosse, soccer, musical instruments, like to cook with me, and are naturals in the swimming pool. Honestly, though, what I like doing most with them is eating. I've worked really hard to make sure they are willing to try all sorts of different foods.
My children have stolen my dreams in a very literal sense. I've lost months in the minutes and hours that Sabine and Zoey have needed me at night, their thin, butterfly-beating hearts pushed against me in the darkness.
As much as I love my daughters, I wasn't happy with only being a stay-at-home-dad, and my wife encouraged me to try, to really try, at being a writer. More than anything, I didn't want to let her down.
I think so much of young adult literature sort of gets ghettoized - the title 'young adult' makes people immediately discount it. And just like with books that get written for adults, there is plenty of young adult literature that is bad. But there is also plenty of young adult literature that is brilliant.
My wife has been incredibly supportive of me as a writer. Trying really hard to make sure I get the space and time I need to work as a writer and being willing to make some of the sacrifices that you have to make to live the life of an artist.
If I think of a reader while I am writing, the only reader who really matters for me is my wife. It's most important to me that she likes what I write.
I liked Shakespeare in high school, but in university I spent a semester studying in London, and it was sort of in the middle of me falling deeply in love with literature, and I took a Shakespeare course with a professor who couldn't imagine anything more important than Shakespeare.
There is a huge tension in trying to write with small children because they demand your attention and your time with a fierceness that can be matched by nothing else, but if you are successful in writing while you have small children, I actually think that your writing is likely to be deeper than it was before.
There is no simple answer for what it means to be Canadian. There are a thousand answers that come together. But part of that is that there is a national mythology.
When I'm writing a novel, one of the things I do is get big poster boards. They're actually canvases that artists use. And I keep all the characters' names on them. If you write a big novel, there's a lot of characters.
I've said many times that there only two things to write about: love and death. And when you have children, you remember that the world is full of sharp corners and dangerous things, and suddenly you have these small, soft creatures, which you love in almost painful way.
