There's a great tradition in storytelling that's thousands of years old, telling stories about kings and their palaces, and that's really what I wanted to do.
Venice has always fascinated me. Every country in Europe then was run by kings and the Vatican except Venice, which was basically run by councils. I've always wondered why.
Class can 'walk with kings and keep its virtue and talk with crowds and keep the common touch.' Everyone is comfortable with the person who has class because that person is comfortable with himself.
I put myself on the same level as everyone else around me - from the directrice to the workman, everyone. Except my pets - they are the Kings; you must treat them like royalty.
I learned French in Tunis, along with Arabic. I also learned French history. I knew the entire history of the kings of France. And I was fascinated by Versailles.
I did my first movie, 'The Mambo Kings,' in America without speaking the language. I learned the lines phonetically. I had an interpreter actually just to understand directions from my director.
The governments of the present day have to deal not merely with other governments, with emperors, kings and ministers, but also with the secret societies which have everywhere their unscrupulous agents, and can at the last moment upset all the governments' plans.
I am 73 years old. I've seen everything. I've met the kings, the queens, the presidents, I've been around the world. I have one thing that I would like to do: to try to reach peace.
