Three children have become adults since a phone call with Jo Rowling, containing one small clue, persuaded me that there was more to Snape than an unchanging costume, and that even though only three of the books were out at that time, she held the entire massive but delicate narrative in the surest of hands.
I was foreign and Jewish, with a funny name, and was very small and hated sport, a real problem at an English prep school. So the way to get round it was to become the school joker, which I did quite effectively - I was always fooling around to make the people who would otherwise dump me in the loo laugh.
What bothers me is that there is so much emphasis on food, rather than gathering and meeting - so that there is all this effort in creating the right food, whereas the food is only a small part of whether the encounter is successful or not.
Small businesses should have the same ability to reach customers as powerful corporations. A blogger should have the same ability to find an audience as a media conglomerate.
This nation is notorious for its ability to make or fake anything cheaply. 'Made-in-China' goods now fill homes around the world. But our giant country has a small problem. We can't manufacture the happiness of our people.
The whole basis of the United Nations is the right of all nations - great or small - to have weight, to have a vote, to be attended to, to be a part of the twentieth century.
The skeptical community is absolutely near and dear to the 'Mythbusters' heart and there's no small reason that they've embraced us. That's our people. That's the way we like to think.
I'm not comfortable being around too many people. I don't like being out in public too much. I don't like going to bars. I don't like doing celebrity stuff. So most of the characters I play are people who don't always feel comfortable beyond their small circle of friends.
As far as I know, only a small minority of mathematicians, even of those with Platonist views, accept the idea that there may be mathematical facts which are true but unknowable.
I find television, and particularly live television, very romantic: the idea that there is this small group of people, way up high, in a skyscraper in the middle of Manhattan, beaming this signal out into the night.
We're about to shoot an episode on Air Force One, for instance, and we're going to take liberties, small liberties, with Air Force One, as we take small liberties with our White House set.