Whenever you're going to play a real person, you run the risk of well, everybody in the world kind of has an image of what that person is and who he should be and so you really have to do your homework.
When I played Dean Martin, he was dead when we made the movie but there would have been nothing better than to spend a week with Dean Martin if I could have.
I reached that day that I always thought might happen, where I say to myself I don't want to do this anymore. I'm looking for some stability. I want to stay home.
I mean, it's the life lessons that I suppose you learn that nobody gets a free ride and that you do the best you can with the means that you can and try to open yourself to as much knowledge and all that that you can.
You learn that not all things fall into a certain kind of pattern that can be predictable and that can be understandable and that's going to be easy, you know.
When they were small and my wife really had no other responsibilities, except taking care of the family and all of us, it wasn't that big a deal. It was fun. Hey, we're going to Moscow. We're going to Italy. We're going to Toronto. We're going to New York.
If at the end of the day, people look at it and say, oh, yeah, I liked his stuff, or for the most part I liked his stuff, or I've enjoyed watching some of the things he's done, that's all I can hope for.
But what I will do is I'll acknowledge it and if it can be of any help the fact that I do acknowledge it then maybe other people will benefit from it because I do have somewhat of a public forum being in the line of work I am.
