The web can be a fast trip to the library, giving you immediate access to a government report, or it can filter media for you, which is why I look at around 15- 20 of these sites every day.
I follow blogs, particularly all the main political ones - Guido Fawkes, Iain Dale, Coffee House, Paul Waugh, Iain Martin in the Wall Street Journal, and so on. And some American ones, like the Huffington Post, Gawker, Boing Boing; or Eater and Daily Candy, also American, which are about where to go to eat.
I always wanted to be a photographer. While I was at school, I got a lab-monkey holiday job in the darkrooms at the 'Independent.' What they taught me there was: you need to get the whole story in one frame.
I spend a lot of time looking at rococo books. And almanacs used to be huge sellers - they were pretty much part of the fabric of life. I thought, this is bizarre, I'd love to buy a book like this, and there isn't one. So I thought, all right then, this could be fun. I'll write an almanac.
I'm very fond of an old map of London that used to belong to my father. I'm a big London fan, and the evolution of the city is astonishing, when you look back to Pepys and how small it was - everyone knew each other.
The idea that I am cynical because I'm writing the books that I write is a bit like someone saying, 'What, you've done a second album? Oh, I see, cashing in on your first album, are you?' But I'm a musician! It's sort of what I do.
Writing 'Schottenfreude' has reinforced the fact that there are few, if any, emotions that have not been experienced, and analyzed, by some of the world's greatest writers.
