Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
My dad played a character on the radio called 'Parkyakarkus.' A Greek-dialect comedian. He did Friars' roasts and wrote material and made people laugh that way. But he wrote his own shows with other writers.
When I was a kid, I'd practise Chopin on piano - and I love Chopin! He's my dawg! Then I'd go out on the stoop and blast the radio. I'm from New York, the concrete jungle. Hip-hop influenced me from day one.
Hard rock will always be hard rock, but you don't really know what is rock - and what isn't - anymore. I don't consider a lot of the pop things I hear on the radio to be rock n' roll. It's just kind of fragmented.
Demagoguery sells. And therefore radio stations will put it on. But that doesn't mean that you can't do something else and also make it sell. You know, when I look at an Ann Coulter or I look at a Rush or I look at a Sean Hannity, I think to myself, 'What kind of self-image do you have?'
Yeah, but you need an experienced radio veteran who is a liberal advocate. And there just hadn't been any radio that did that. And so they weren't trained - they had developed all these bad habits of being objective and balanced and stuff like that.
I listen to NPR when I listen to the radio, but I don't listen to the radio that much. You know, I listen to Garrison Keillor, I listen to 'Prairie Home Companion.'
The right wing has had a radio apparatus for years and years, so they've had minor leagues - they've had local rightwing guys who've become national rightwing guys, and who build slowly, and that's how it goes. We haven't had that. It isn't like we have a farm team.
