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Alexander McCall Smith Quotes - IQDb - Internet Quotes Database

Quotes from Alexander McCall Smith


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I'm very interested in tea. I wouldn't mind being involved in some aspect of the tea industry.


My parents were very supportive and always encouraged us. My father was a gentle, nice man. My mother was quite a colorful character and a keen reader who encouraged me to write.


My Botswana books are positive, and I've never really sought to deny that. They are positive. They present a very positive picture of the country. And I think that that is perfectly defensible given that there is so much written about Africa which is entirely negative.


Every single day, I get letters - very moving, overwhelming letters - testifying how much my books have meant to people in times of crisis in their lives, when they were very ill, say. If I ever doubted that writing could play an important part in people's lives, I don't doubt that now.


I've certainly always had a very high regard for Botswana and so I paint a very good picture of the country and I've never pretended to be painting an entirely realistic picture.


I've always had a creative urge and I get immense satisfaction from creating something because it feels like I'm making sense of the world and imposing order on it.


I would never inflict my bassoon on anybody really other than the long suffering audiences that come to the concerts of The Really Terrible Orchestra; which actually is really terrible.


Many of my books are written from a female perspective. I rather enjoy the take that women have on the world, and certainly I enjoy the conversations that women have.


The wider your readership, the greater the chances of offending your readers.


I've also long since realized that the way to really engage children is to give out prizes; it's amazing how it concentrates their minds.


With '44 Scotland Street' I found myself having to work out how a daily novel works, and it is completely different to a conventional novel.


I'm interested in character and dialogue and exchange of ideas.


I just focus on getting the first scene right, with a few lines about the overall plot, and then the book grows organically.


As a writer, you have to realize that people want to like the characters, so you have to be careful to keep them involved.


Any author of fiction will tell you that characters don't need to be told what to do.


I write four books a year. I'm very fortunate that I write quickly; around 3,500 words a day. Being strict about delineating my writing time and personal life, as well as keeping distractions at bay, is the only way I can accomplish this.


Fiction is able to encompass books that are bleak and which dwell on the manifold and terrible problems of our times. But I don't think that all books need to have that particular focus.


Every novel presents a slice of life. A noir policier for example presents one slice, one that perhaps addresses social dysfunction or some sort of pathology, while mine present a slice that is more upbeat and affirmative.


Wherever I go in the world, people all know about Scotland Street and are always asking me about what's going to happen to the characters next.


The point of opera is that people are moved by the emotions and music.