I'm an obsessive musical theatre person, so some of the most formative albums for me were, you know, the 'Phantom Of The Opera' soundtrack or 'Into The Woods.'
Because comedy is cheap to put on: if you've got a play or an opera, there's a whole load of people and a set, but comedy is just one man or woman. And because TV has learned to love comics - there's so many more around now than when I started out.
In the case of 'The Housewives,' I call the 'Housewives' sociology of the rich. I think it's just fun to watch. It's guilt-free gossiping that you can have. It's like the modern-day soap opera, in my mind.
'Phantom of the Opera' started in my little 100-seater converted church in Britain with a stage where we did what we did. But it was the score itself was what made it.
I have always felt an excellent rapport ever since my very first concert in Britain at Hampton Court. I have always felt understood. The British understand opera very well.