Quotes on the topic: Plot


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I never make a note of anything; I never even write a plot down.


If I had a plot that was all set in advance, why would I want go through the agony of writing the novel? A novel is a kind of exploration and discovery, for me at any rate.


The queen of crime, Agatha Christie, was always more concerned about the clockwork cleverness of the plot, never the investigator.


I don't want to write about violence, and I don't want to hang a plot on a murder. I think it's cheap.


I try to trace the connection between the characters and that way a story or plot emerges.


The cliches are that it's the most generic Starsky and Hutch plot you can find.


I read Claire Messud's 'The Emperor's Children,' I read Joseph O'Neill's 'Netherland' - but to me, they're not 9/11 novels. In 'The Emperor's Children,' 9/11 felt to me like a piece of the plot; the novel wasn't wrestling with what 9/11 meant. And 'Netherland' felt the same way. I liked both books a lot but I don't see them as 9/11 novels.


There is no better place to plot the death of a character than when you're miserable and working out.


When we try to push the envelope, there are certain sectors of society that say this is a Zionist plot to sort of destabilize our country, or this is an American agenda.


I never plot out my novels in terms of the tone of the book. Hopefully, once a story is begun it reveals itself.


I just focus on getting the first scene right, with a few lines about the overall plot, and then the book grows organically.


Grief doesn't have a plot. It isn't smooth. There is no beginning and middle and end.


Language is the ticket to plot and character, after all, because both are built out of language.


Characters are incredibly important, but I tend to build them around the plot during the outline stage. However, once I'm writing the manuscript, the characters I'm writing dictate how the plot unfolds.


Some movies I see today have the most dramatic plot points but the actors are not playing them dramatically.


'Harry Potter' shouldn't be children's first experience with suspense and plot turns.


Once a novel gets going and I know it is viable, I don't then worry about plot or themes. These things will come in almost automatically because the characters are now pulling the story.


I think with musicals, it's much more part of the script. They don't want songs that would stop the show; they need songs that keep the plot moving.


There is one plot point in one of the 'D'Arnath' books that I don't think I handled as well as I could have. Am I going to tell you which one? No way!


I consider plot a necessary intrusion on what I really want to do, which is write snappy dialogue.