Quotes on the topic: Plot


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Grief doesn't have a plot. It isn't smooth. There is no beginning and middle and end.


The queen of crime, Agatha Christie, was always more concerned about the clockwork cleverness of the plot, never the investigator.


There is one plot point in one of the 'D'Arnath' books that I don't think I handled as well as I could have. Am I going to tell you which one? No way!


If I had a plot that was all set in advance, why would I want go through the agony of writing the novel? A novel is a kind of exploration and discovery, for me at any rate.


Once a novel gets going and I know it is viable, I don't then worry about plot or themes. These things will come in almost automatically because the characters are now pulling the story.


There is no better place to plot the death of a character than when you're miserable and working out.


'Harry Potter' shouldn't be children's first experience with suspense and plot turns.


The cliches are that it's the most generic Starsky and Hutch plot you can find.


Characters are incredibly important, but I tend to build them around the plot during the outline stage. However, once I'm writing the manuscript, the characters I'm writing dictate how the plot unfolds.


I try to trace the connection between the characters and that way a story or plot emerges.


I consider plot a necessary intrusion on what I really want to do, which is write snappy dialogue.


I never make a note of anything; I never even write a plot down.


I never plot out my novels in terms of the tone of the book. Hopefully, once a story is begun it reveals itself.


Language is the ticket to plot and character, after all, because both are built out of language.


Some movies I see today have the most dramatic plot points but the actors are not playing them dramatically.


I just focus on getting the first scene right, with a few lines about the overall plot, and then the book grows organically.


I think with musicals, it's much more part of the script. They don't want songs that would stop the show; they need songs that keep the plot moving.


I read Claire Messud's 'The Emperor's Children,' I read Joseph O'Neill's 'Netherland' - but to me, they're not 9/11 novels. In 'The Emperor's Children,' 9/11 felt to me like a piece of the plot; the novel wasn't wrestling with what 9/11 meant. And 'Netherland' felt the same way. I liked both books a lot but I don't see them as 9/11 novels.


I don't want to write about violence, and I don't want to hang a plot on a murder. I think it's cheap.


When we try to push the envelope, there are certain sectors of society that say this is a Zionist plot to sort of destabilize our country, or this is an American agenda.