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I don't like DVD extras. No. Especially when they do things like put out alternative endings? I find all of that a little bizarre, because there should only be one ending. I don't like to be told, 'Oh, we could have had it this way,' for the director's cut.
Oh! this opponent, this collaborator against your will, whose notion of beauty always differs from yours and whose means are often too limited for active assistance to your intentions!
A specific editor in a specific place likes the book, and you're in. A different editor on a different day goes, 'Oh, this isn't for me', or doesn't even look at it, and that's it.
Oh, I must be ambitious, mustn't I? I'm sure I always have been. I think you can only get away with pretending you're not for so long. After that, it becomes ridiculous.
I like the guys who wrote their own stuff and were able to perform it, like Seth Rogen. He popped off so young. When he did 'The 40-Year-Old Virgin,' and he was a co-producer on the movie, I was like, 'Oh my God: that's exactly what I want to do.'
Oh, I had my gothy phase, but I was never a troublemaker or anything like that. I was a little bit introspective, a little bit morbid. I was small for my age, so I was bullied and that kind of stuff.
Stories come to me and I don't know where they come from, but afterwards I can look back and say, 'Oh yes, that's got a little bit of me, or a little bit of my own son in it'. That's where ideas come from.
When I was younger, I felt very much like, 'Oh, I have to be a certain way, I have to look a certain way.' You really, really don't. That's the way women are treated differently than men. I mean, I've had actors argue with me about this.
I actually love actresses who look like they feel really natural. I like Patricia Clarkson, Laura Linney, Frances McDormand. Those are actresses where the second they show up on screen you're like, oh my gosh, this movie just got so much better.
Sometimes people say, 'Oh you did one of my favorite movies,' and I will ask them what the other one is, and it's always something that I totally hate.
I could never be the kind of writer who went to the set of the movie and fussed and fretted about, 'Oh, that dialogue's wrong,' or 'That character doesn't look like that.' That would be insufferable.
