You look at a surgeon as you would a secular priest, almost, if it's your child, if it's your sister on the operating table. That was an idea that very much has interested me and I've wanted to explore for some time.
After spending the last few years working on a serious novel set in Chechnya, I was drawn to both the brevity and casualness of Twitter, and wrote a series of tweets titled 'The Erotic Inner Life of Mr. Bates from Downton Abbey.'
A novel can enlarge the empathy and imagination of both its author and its reader, and my experience, that sense of enlargement is most intense when I'm transported beyond the narrow limits of my daily life.
It's hard to think of another body of work that is more universally beloved - I don't think I've ever met someone who has encountered 'Calvin and Hobbes' without falling for them.
A novel can grant humanity even to those who act inhumanely, and by making men and women of monsters, it can offer not only a ground-level view of a particular conflict, but a descent into the substratum of human nature capable of the incomprehensible.
The idea that fiction can capture the stories that fall through the cracks of history informed 'A Constellation of Vital Phenomena,' which progresses across the two Chechen Wars of the 1990s and early 2000s.
Ever since studying in Russia as a college student, I had been in a long-distance, one-sided love affair with Chechnya's remarkable history, culture and rugged natural beauty.
Chechnya forms the bookends to Tolstoy's career. He began writing his first novel, 'Childhood,' while in Starogladovskaya in Northern Chechnya, and his final novel, 'Hadji Murad,' is set in the Russo-Chechen War of the 19th century.
