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Anthony Browne Quotes - IQDb - Internet Quotes Database

Quotes from Anthony Browne


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Most of the day I work standing up, as I once read somewhere that it's the best position for the back.


Children will come out and listen to a writer whose books they like. They don't need a government agency or a medal that says 'laureate' to continue that.


Picture books are for everybody at any age, not books to be left behind as we grow older. The best ones leave a tantalising gap between the pictures and the words, a gap that is filled by the reader's imagination, adding so much to the excitement of reading a book.


Stories come to me and I don't know where they come from, but afterwards I can look back and say, 'Oh yes, that's got a little bit of me, or a little bit of my own son in it'. That's where ideas come from.


What excites me about picture books is the gap between pictures and words. Sometimes the pictures can tell a slightly different story or tell more about the story, about how someone is thinking or feeling.


When I talk to children, I show them a typical drawing I made when I was six and point out to them that when I was their age, I didn't draw any better than any of them.


When I was a boy, I was a worrier, and so was my son, Joe. I used to tell him that worrying meant he had an imagination and that one day he'd be pleased.


One of my main decisions when accepting the job of Children's Laureate was that I must continue working on picture books. If I don't write and illustrate for some time, then I begin to question who I am.


Pictures are as evocative to me as smells.


Most people lose their natural creativity at about five or six - but not me.


Stories come to me in mysterious ways, more like dreams than reasoned creations.


M dad was a boxer, so he had this fierce, physical presence.


I've always felt that I was a bit of an outsider to the British children's-book illustration scene, because I don't work in line and wash.


I use a little brush only for really small details. Over the years, I've started to use a much larger brush.


I see 'Hansel and Gretel' as a breakthrough book for me, and one of the reasons is because I started to apply meaning to the hidden details.


I played rugby from the age of 10 until my late twenties; an unlikely player - small, quiet, long-haired and 'wiry.'


I didn't have picture books - there weren't many around when I was a child.


Having a memoir and a retrospective of your work running almost simultaneously when you're still alive does feel a bit posthumous.


Everyone can draw when they're five. Most of us lose the ability.


As a child, I'd always liked cowboys and Indians stories where there were two layers - gruesome in the foreground but funny in the background.