Quotes on the topic: Internal


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Basically, every character I've ever played, I've based entirely on internal conflict. And I love doing that, because I think it's very human.


Very broadly, literature concerns itself with the internal, cinema with the external.


My best writing has to do with an internal process that I'm working out unconsciously and put into my characters.


The whole thing was done for internal political reasons to galvanize and unify the country against the Americans, and if they hadn't had that immediate opportunity they would have found another one.


Touring is a whole other animal for me and a whole other skill. But I'm having a lot of fun figuring all that out and switching it from internal to external and putting on a show.


My thing is, I like playing guys who have a really interesting internal monologue.


I'm not interested in stirring anybody up through music. If you're going to stir people up, it has to be a thought process that has nothing to do with music. I see music as having to do with an internal thing. Something that stirs you up is external.


That's always a fun thing to play, a relationship where there's equals. I often play roles that are repressive, or women who are slightly repressed or having some kind of internal conflict.


Internal protectionism in Europe would be deadly, really a disaster for European economies.


Somehow it helps just to take something that's internal and externalize it, to see it in front of you.


You cannot see the changes that you're dreaming about, because they're internal.


The physical journey in my films is indicative of the internal journey that my characters take.


I have an excellent internal compass.


In a film, you have to externalize things that are internal and of course it becomes a debate about to what extent you do that.


I went right from wunderkind to washed up. Old. Been around too long. That's just the way I feel. That's my internal dialogue.


We're not going to meddle in the internal life of other peoples and other governments, because we don't want them meddling in ours.


Speech is external thought, and thought internal speech.


I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.


It is not a dreamlike state, but the somehow insulated state, that a great musician achieves in a great performance. He's aware of where he is and what he's doing, but his mind is on the playing of the instrument with an internal sense of rightness.


I think I have a lot of internal energy, which does need to come out.