Quotes from Alanis Morissette


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Ageism works in both directions. As a teenager in the public eye, people would talk condescendingly to me. When you get older there's this feeling that you have to start carving up your face and body. Right now I'm in the middle ground - I think women in their thirties are taken seriously.


Only traumatised people want to be famous.


I guess what people forget sometimes is that when I write songs, I write them sometimes in about 20 minutes.


The more vulnerable and the more confused the song is, the equal and opposite effect is how I feel after having written it.


Trauma happens in relationships, so it can only be healed in relationships. Art can't provide healing. It can be cathartic and therapeutic but a relationship is a three-part journey.


I'm excited about there being more of a sisterhood these days. Back in the '90s there was a lot of hate - the women I looked up to as artists were dissing me! It's not so patriarchal these days - there's more love and a lot less hate!


I've just always felt it's an incredibly empowering thing, particularly for young women, to capitalize on their coordination and their strength. It's a very empowering thing to feel strong in your body.


I still indulge in a glass of wine or chocolate - treats are mandatory. Without deviating from the day-to-day healthy diet once in a while, it wouldn't be sustainable for me, and that's what I wanted: an approach to eating to last my entire life.


Then I realized that secrecy is actually to the detriment of my own peace of mind and self, and that I could still sustain my belief in privacy and be authentic and transparent at the same time. It was a pretty revelatory moment, and there's been a liberating force that's come from it.


At one point, I was just perceived as only being angry, but now I'm being perceived as angry, peaceful, and spiritual.


When someone says that I'm angry it's actually a compliment. I have not always been direct with my anger in my relationships, which is part of why I'd write about it in my songs because I had such fear around expressing anger as a woman.


And ultimately the people who produce my records, they know that they're here to serve the purpose of me expressing who I am at this period of time and augmenting that or pulling it forward and I love that process.


My son was five months old, and I built a makeshift studio in my living room so that I could do the attachment parenting approach and write the record at the same time. That was fortuitous, that we could build that in the house.


There was a period of time during the 'Jagged Little Pill' era where I don't think I laughed for about two years. It was a survival mode, you know. It was an intense, constant, chronic over-stimulation and invasion of energetic and physical literal space.


When I start writing songs and it turns into an overly belabored intellectual process, I just throw it out.


They're different kinds of challenges depending upon what phase of life I'm in.


I love to get to the underbelly of why people are up in arms about anything. Really, what I see is a big shadow in the West, in America especially, and everyone's afraid of looking stupid. But the truth is, I'm a genius and I'm stupid at the same time.


I'm clearly most well known for my music. Eventually, ultimately, I'll be writing books. I'm still writing articles now. I just consider myself a writer.


I was always such a people-watcher. I would sit on street corners alone and watch people and make up stories about them in my head. Then, all of a sudden, I was the one being watched.


I was motivated by just thinking that if you had all this external success that everyone would love you and everything would be peaceful and wonderful.