Seeing yourself in print is such an amazing concept: you can get so much attention without having to actually show up somewhere... You don't have to dress up, for instance, and you can't hear them boo you right away.
If I wasn't a designer, I would love to be a doctor. That is my fantasy, my dream. A doctor will give you a tablet if you have a headache, and I will give you a dress, and we both make you feel good.
My wife changes the way that I dress. She makes me dress nicer than I want to dress. I feel like I perpetually dress like a 14-year-old boy, and she makes me stand up straight and wear clean clothes.
I think I've heard somebody say that I was a well-dressed golfer. I guess that has something to do with the fact that a lot of people who play golf don't dress very well.
My performance outfits are very Marie Antoinette, sparkly corsets... and full skirts. And then we do another look that's '50s-inspired. Poufy skirts, big bows. Very fun, girlie and young, but otherwise, when I'm not in costume, I dress really normal.
I have never, for a single moment, been aware of pressure from anyone in television about how I dress, what my shape is or how I speak. I've always written my own scripts. I've always been the first to point out that I need to be fit. I need to look good.
There's a continuity between what I care about in any form: I care about it in my music, in article-writing, in how I dress, in how I live, in my relationships, in how I navigate paparazzi, how I decorate my home. There's such a continuity between everything that I don't really care what form it shows up in.
I personally go to the airport looking like a homeless person, because I think people will leave me alone. But I dress myself with my luggage - all my luggage matches.
In the heyday of the Oscars, there were electric sparks flying. When Cher went in her fabulous Bob Mackie dress and her Mohawk, and Bjoerk with her swan dress. Then we thought it was bad taste; now I think it should have been the best dress because she stood out.
