Quotes from Alber Elbaz


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Fashion is not always about what's new, it's also about what's good. And I think if you need to see what's good, you have to be there.


When you come into a house like Saint Laurent, or Chanel, or Lanvin, and you go into a place that existed before you were born and will exist after you die, it takes some time to get in, to get to people, and to get the energy of the place.


For me, Lancome was more than just a brand. There was something very nostalgic about the name, about the whole story.


Almost every collection I do has 200 different references. I don't have two of the same coat, two of the same dress. I have it in one color, in one fabric. I've tried to adapt the culture of couture, and the know-how and the heritage, but I try to update it.


I've always said fashion is like roast chicken: You don't have to think about it to know it's delicious.


I like having the freedom to dress as I desire.


Our logo for Lanvin is a mother and a daughter. I've always said, 'It's not a lion, and it's not a horse. It's a mother and a daughter.' I find the logo very emotional.


If you take something out of the freezer, it's cold, but what happens when it melts? It's a cool party, a cool person, a cool collection. What does that mean? I'm more interested in things that are uncool, things that have a certain individuality, a certain soul, a certain longevity, emotion, fragility.


Fashion doesn't look good only on models; it can look good on different people of different ages and different body shapes.


My dream is to be a doctor. I'm almost working in a laboratory, because I'm trying new techniques, new directions and fabrics, new weaving.


I think that if you want to pass emotion, you have to write a letter. Emotions do not pass in SMS or in e-mail.


To be a fashion critic is easy because you just say, 'I love it, I hate it,' but life is more than love and hate.


We are being accused that some models are anorexic. But we as fashion designers cannot be blamed, because you know, when I talk to women around the world, rich and poor and young and old and intellectual and not, what they want to be is skinny. You ask them, 'What is your dream?' It's to be skinny. That's all they want.


For me, the sketching of dresses was about fantasy and dreams. In my little room at home, I felt that I was somewhere else. In Paris, for instance.


When I was either 7 or 8 years old, I did a sketch every day of my teacher and what she wore. At the end of the year, I gave her the sketchbook. For me, the sketching of dresses was about fantasy and dreams.


If I wasn't a designer, I would love to be a doctor. That is my fantasy, my dream. A doctor will give you a tablet if you have a headache, and I will give you a dress, and we both make you feel good.


I certainly can't complain. I work six days a week, if not seven, and eighteen hours out of twenty-four - fortunately, with a great deal of pleasure. Why? Because I only do something if I want to do it; I need to feel a desire, to find pleasure in moving forward, creating, moving, inventing.


Run away from laziness; work hard. Touch intuition and listen to the heart, not marketing directors. Dream.


If I am in a beautiful place, but I don't like the people, I am miserable.


I want to know where is that committee in Switzerland that sits to decide what is in and what is out. I don't listen to the formula makers. I think maybe I have a selective hearing disorder.