Notice: ob_end_flush(): Failed to delete and flush buffer. No buffer to delete or flush in /home1/ntptuqmy/public_html/quotes/includes/header_html.php on line 6 Larry Mullen, Jr. Quotes - IQDb - Internet Quotes Database
I've always had an interest in doing something that was outside my comfort zone; I had this thing about standing on the edge of the cliff and deciding to jump.
It's a tough life being a pop star. You know, at the end of the day when you've paid all the bills and put the kids through college and that, you know, there's only enough left for a small island off the South Pacific.
Companies like Spotify, the new Apple service, and all the others are really going to have to pay artists more. And I think it's a matter of time; I think a lot of these companies and the individuals that are involved in them realize that as well. They know that artists are not getting what they should be getting.
I don't know what I'm qualified to do, film-wise... So it's really down to a director or a casting director to find something that they think I could do.
I will never be a career actor, I don't think. I don't feel that I have the skill set to jump into it that way, although I wouldn't mind giving it a try.
In the music world, ageism is a big issue. It's about youth and youth culture. There's no other art form that I know that requires you to be a certain age.
Relevance, for me, is about being creative and doing things that you believe in, whether that's music or acting or painting a picture, or whatever that is.
The big issue with rock stars becoming actors is that sometimes it's not believable, and vice versa with actors becoming rock stars. Sometimes just doesn't fit.
Tony Blair is a war criminal, and I think he should be tried as a war criminal. Then I see Bono and him as pals, and I'm going, 'I don't like that.' Do I think George Bush is a war criminal? Probably - but the difference between him and Tony Blair is that Blair is intelligent. So, he has no excuse.
We need to be creative, on the cutting edge, challenged, and it's really hard going. It's relentless, and we're relentless, and we have a history of breaking engineers, producers. I mean, people come out of working with U2 and just go, 'I just don't know what's happened; it feels like a lifetime has passed by.' And that's just the way we work.
When you're in the music business, everything is very personal, because you are invested in everything; there's a very deep, personal attachment to your music.
