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Gary Numan Quotes - IQDb - Internet Quotes Database

Quotes from Gary Numan


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Maybe I over-do the 'not-80s' thing. It should be a part of my life that I've got some sort of pride in, but I've got this huge chip on my shoulder about '80s nostalgia - and it annoys fans sometimes.


The industrial thing came about mainly through giving up trying to write pop songs in the early '90s. I don't think I was ever very good at pop music and as soon as I stopped trying, and started to write more the things I loved, it became much heavier and more aggressive.


I would never take part in one of those Eighties nostalgia tours, although I've been asked many times, because it's like admitting you have nothing new to offer. As long as I can keep making music I'm happy with, and people want to come to my gigs to hear it, I'll carry on.


I much prefer touring to anything else. Studio work is great, and can be hugely satisfying, but live work has the excitement and the lifestyle that I love.


I honestly don't know what criteria makes someone right-wing or left-wing anymore. The boundaries of those definitions seem to be in a state of flux. I'm not socialist, I know that.


I'm very lucky in the sense that I've got a voice that's distinctive. Not good, but distinctive. That's a very useful thing to have in this business. I'm glad on the one hand that I've got it, but I wish it was more powerful. I wish I had a greater range. I wish it was more accurate at times.


Ultravox were the blueprint for what I wanted to do, but I stumbled across them by accident.


I wouldn't say I'm vain - I'm just in a job where the way you look is important. Well, at least the facelift wasn't vanity, but the hair was.


I never call myself a singer, ever. I never will. I've always been really embarrassed about my voice. I've never been confident about it. I think it's a little bit better now than when I first started. There are people I admire who are genuinely brilliant singers and I know the difference between what they can do and what I can do.


There does seem to be a kind of split. There are those people who are more entrenched in the early electronic years, and new people who have come to it because of people like Nine Inch Nails and Marilyn Manson.


When you decide to do this kind of music then you just accept the facts.


In the mid-1980s to the early 1990s I was writing songs not because I particularly liked what I was doing, but because I was desperately trying to get back into the charts. I really didn't enjoy it. I didn't like the music I was making, I wasn't proud of it, like I have been before or since.


If I thought that any of this was pre ordained, then it takes away any kind of incentive to struggle, or to put up with things, to reach for those impossible dreams, all those dramatic things.


I'm not good at happy, lightweight kind of music. I'm not really good at pop music. 'Cars' is probably the only true pop song I ever wrote. I wish I could write more, but I'm not very good at it.


I'd see an old person on the street and start crying. I couldn't understand how people could cope, knowing they only had so long left. It would be like dominoes and then the last one fell and I'm a little heap on the floor. Doctors put me on anti-depressants for a couple of years.


I'd been a Bowie fan before punk and used to get no end of trouble. I was always getting knocked about and having to run up the street, getting chased by people. It was horrible.


I think any song should sound good just played on a solitary instrument with the vocal. If you have those basics you have all you need. The production then just polishes that idea into the finished thing.


I have one brother, John, an airline pilot, who is seven years younger. He's adopted, though we're still blood related - he's my cousin. My parents couldn't have any more children after me, so when Dad's brother died, they adopted John, then just a baby.


I always say it took me 10 minutes to write 'Cars,' but if I am honest it could have been even less than that - and it has been a really successful song over the years. It is still massively used, in advertising, in films, and people do cover versions of it a lot.


Before breaking into music, I had various jobs: forklift driver, driving a courier. But I was forced into working rather than doing it off my own bat because that was my dad's way: you got a job and paid your way.