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Anne Enright Quotes - IQDb - Internet Quotes Database

Quotes from Anne Enright


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I'm very keenly aware that there aren't very many women writing literary fiction in Ireland and so that gives me a sense that what I say matters, in some small way.


In more static societies, like Ireland, you can tell where a person is from by their surname, or where their grandparents are from.


I write anywhere - when I have an idea, it's hard not to write. I used to be kind of precious about where I wrote. Everything had to be quiet and I couldn't be disturbed; it really filled my day.


I'm really lucky with the people around me. They know me, so they don't confuse the issues, really. They know what a book is and they know who I am and they know the difference between the two.


I'm starting to think my narrators' sentences are getting too big for them, and they are getting to sound a bit samey and, more disturbingly, a bit too much like me.


Ireland is a series of stories that have been told to us, starting with the Irish Celtic national revival. I never believed in 'Old Ireland.' It has been made all of kitsch by the diaspora, looking back and deciding what Ireland is. Yes, it is green. Yes, it is friendly. I can't think of anything else for definite.


There are certain books that should be taken away from young writers; that should be prised out of their clutching fingers and locked away until they are all grown up and ready to read them without being smitten.


For 10 or 11 years, I had my kids, I wrote four or five books, and I was working all the damn time.


I became a full-time writer in 1993 and have been very happy, insofar as anybody is, since.


I never wanted to be mainstream as a writer, but look at what's happened.


I am interested in levels of brain discourse. How articulate are the voices in your head? You know, there's a different voice for the phone, and a different voice if you're talking in bed. When you're starting off with a narrator, it's interesting to think, where is their voice coming from, what part of their brain?


To be able to have the space to sit down and write has always been my central policy.


When I'm working, I'm not so much disciplined as obsessive. I have this feeling that I need to clear everything away and get this down.


I find being Irish quite a wearing thing. It takes so much work because it is a social construction. People think you are going to be this, this, and this.


I have a small room to write in. One wall is completely covered in books. And I face the window with the curtain closed to stop the light hitting the computer.


I've heard people, usually writers, say that no one wrote a great book after winning the Booker, but I honestly did not feel any big pressure. 'The Gathering' did hang over me in that it was darker than I thought at the time.


Recently I read the stories I wrote in my early 20s, to put in a volume. And here is this brittle young woman, writing about marriage as, not the worst thing, but the most boring thing that could happen to a person. Now I think I was wrong. I like to be proven wrong.


I'm quite interested in the absolute roots of narrative, why we tell stories at all: where the monsters come from.


The writing day can be, in some ways, too short, but it's actually a long series of hours, for months at a time, and there is a stillness there.


It is very hard to trace the effect of words on a life.