XTC is my favorite band; I'm a huge Neil Young fan, Jayhawks, all that type of stuff. I like Death Cab for Cutie, also Ryan Adams. I try to impress my children: 'Have you listened to such-and-such?' They're not impressed.
Writing can't be too calculated. My best writing is when I set it aside, move on. It's not when I'm crafting a sentence, thinking about what word should follow another.
When I was at Brown, I wanted to write the great American novel, but I was too scared to take a creative course. I signed up for one, got in, and just didn't have the courage to go. I was a tremendously shy person, almost pathologically shy. The thought of peers critiquing my work - oh, God.
Some of my books sort of have a provocative take. Sometimes you find interesting things about characters that show they weren't necessarily the way people usually see them. It can make for lively conversations, but that's great. Spark a little controversy, get people to think about it. That's what it's all about.
One of the questions I face when working on a book about a historical event is whether I should visit the actual place that I'm writing about. No matter how scrupulously maintained a historic house or battlefield may be, it is nothing like it was in the long-ago past.
Many of us came away from our youth thinking that the story of the Revolution was that the Americans were patriots fighting the oppressive British. It was kind of good versus evil, liberty versus tyranny. When you get into it, you find that it was much more complicated.
I watch a lot of bad TV. I spend my entire day reading and writing, and after dinner my idea of fun is just to watch a lot of bad TV. That's how I relax and stay in touch with modern culture.
A survival tale peels away the niceties and comforts of civilization. Suddenly, all the technology and education in the world means nothing. I think all of us wonder while reading a survival tale, 'What would I have done in this situation? Would I have made it?'
The great lesson I get from 'Moby-Dick' is that when the times are bad, when there is great foreboding, there are still ways to go about living. It's through Ishmael that I find a kind of overall cosmic approach to a meaningful life in this meaningless world.
I consider myself a writer who happens to write about history, rather than a historian. I was an English major in college. What I've learned about history is in the field, so to speak. Going into the archives and working with it directly.
