Instruments are a phenomenal investment, especially violins and violas and celli, because the value really doesn't go down, and it just rises up at incredible speed and has done, and I believe will continue to do so, because these rare instruments are not getting more. They are getting less and less through the years.
When I test I never go right to the limit. Only because when you are below the limit you can go at the same speed all day, and that's the only way you can be absolutely sure about what you are testing.
I would like to have a decathlon where all of my throws are really consistent and set the tone. That I'm good all-around, not just a speed and jump guy.
The pilot looked at his cues of attitude and speed and orientation and so on and responded as he would from the same cues in an airplane, but there was no way it flew the same. The simulators had showed us that.
With speed skating, it's like doing one-legged squats over and over again, with that one leg absorbing more than 80 percent of your weight. It takes an enormous amount of strength, and you're in such a weird position.
In comics the reader is in complete control of the experience. They can read it at their own pace, and if there's a piece of dialogue that seems to echo something a few pages back, they can flip back and check it out, whereas the audience for a film is being dragged through the experience at the speed of 24 frames per second.
It turns out all molecular and biological systems have speeds of the atoms move inside them; the fastest possible speeds are determined by their molecular vibrations, and this speed is about a kilometre per second.
I had relatives who would go to Japan and bring back random stuff they bought at the airport or whatever - 'Ultraman' and 'Speed Racer,' stuff like that.
