Quotes on the topic: Recording


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I think I definitely enjoy recording, but I think it's more fun to go out and perform live, because it's like instant gratification, you know? You feel the response immediately.


My old man was a musician - that's what he did for a living. And like most fathers, occasionally he'd let me visit where he worked. So I started going to his recording studio, and I really dug it.


When you're recording to analog tape, it captures performance and you can't necessarily manipulate that in different ways. It is what it is.


People are so into digital recording now they forgot how easy analog recording can be.


I always liked the intensity of the recording.


I now have a home recording studio, which I can operate entirely on my own, as well as a portable version of the same which allows me to record anywhere I like and simply swap out the hard drives for use in the home studio.


A lot of our tracks have sounded a lot better than I thought they would because of recording, mixing, and because I probably didn't hear it that way. I'm not a songwriter.


Then I loved the fact that we were actually recording live.


I made many studio albums and I think the danger of studio recording is that if you do not watch out, you come out with a perfectly sterile performance.


I have been recording for five decades now.


I'm never tired of going to the studio. I enjoy recording and documenting everything and trying new things.


What made me want to become a recording artist; I was the first artist that was repeatedly asked by a label to record with them. That label was Def Jam Records.


When we're recording, I always dress up.


Normally, you go into the recording studio, make a record and then take it on the road and you think... wow... I could have done THIS to it, or something.


Nowadays, it's like two different arenas, recording and touring. When I started way back in the day, doing both was nothing, you didn't have to think about it, the road and recording.


And, you know, I think the original recording of Ravel's Bolero, probably whoever played percussion on that, will never have It played better than that.


Robert Fripp and I will be recording another LP very soon. It should be even more monotonous than the first one!


I just fell into the Dylanesque idea of recording. He is real fast.


The room is the most important thing about recording.


People have always been recording what's going on around them in one form or another.