My system works, as long as people let me do my job my way. It is not just the sequence, it is how you do it: the timing, the mirrors, the temperature, the carpet. But if people only do it 99% right, it is 100% wrong. When someone tries to mess with it, the people won't get the yoga benefits.
I did a lot of little girl groups here and there just to get more comfortable on stage. When you're in girl groups, it's a lot different because if you mess up, there's someone on stage to back you up, and finally I got to a point where I knew I could do it on my own.
If someone stands in front of one of my paintings and says, 'This is just a mess', the word 'just' is not so good, but 'mess' might be right. Why not a mess? If it makes you say, 'Wow, I've never seen anything like that', that's beautiful.
A lot of my albums that I've done, a lot of the songs have been the first take. It's before you mess with it too much - you can take away all the spontaneity and the emotion of something by trying to make it sound perfect.
'Drekitude' is the lowest point in the lowest ebb. It could be your look. It could be your shoes. It could be that you're standing wrong. 'Drek' is a total, total, total hot mess.
I'm so unmaterialistic in every way. If you saw my apartment, it would explain a lot, I think. It's not so much a mess, but it just needs to have some feng shui or a real 'Queer Eye' makeover or whatever.
I'm a bit of a traditionalist; the ballroom is all about tails and I never mess about with that. But for the Latin you can have a bit fun: tight trousers, gold shirt open to my waist, be a bit ridiculous.
Left to my own devices, my first inclination is to mess in other people's lives. I secretly believe my whole family, and really the whole world, is my responsibility.
