It's the things that you notice when you're not actually with your instrument that, in fact, become so interesting, and that you - you want to explore, through this tiny tiny surface of a drum.
I don't like drum solos, to be honest with you, but if anybody ever told me he didn't like Buddy Rich I'd right away say go and see him, at least the once.
And on the war, I think my numbers would be a lot higher if I were out there beating the drum for this war. In fact, I don't think it, I know it. But I can't be for the war.
For live you need a microphone for the snare and the high hat, the kick drum, a nice stereo overhead and one for the toms - you can get away with using four mikes.
I play a percussion instrument, not a musical saw; it needs no amplification. Where it's needed, they put a microphone in front of the bass drum. But, I don't think it's necessary to play that way every night.
When you're going for a joke, you're stuck out there if it doesn't work. There's nowhere to go. You've done the drum role and the cymbal clash and you're out on the end of the plank.