I think I was brought up with an innate sense of responsibility because my dad was in the Foreign Office where you were in somebody else's country, and you were aware of your behaviour. And my mum worked for the NHS, so you were aware of your responsibility to your country.
Change is vital to any actor. If you keep playing lead after lead, you're really gonna dry up. Because all those vehicles wean you away from the truths of human behaviour.
When I finished 'Cocktail,' it took me a very long time to get out of Veronica's mindspace, behaviour, and zone. I had to reconnect with who I am. It is a similar story with 'Bajirao Mastani.' Some films demand that.
I've always had, like, from the age of about 11, I've had such an intolerance for bad behaviour of actors that I don't think I was ever going to be that person.
What I don't like so much is to give explanations about people's behaviour... I'm not interested in making conclusions. I would never think about myself or anyone else, 'Well, this happened, this happened, this happened, so this must be the result.' It doesn't work like that with me.
Look, I was only given a year or two to come up with tunes for this record, and when all but eight of them were thrown out for riotous behaviour, I got a bit ticked off; wouldn't you?
