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Bruce Beresford Quotes - IQDb - Internet Quotes Database

Quotes from Bruce Beresford


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In my view, the operas of Carlisle Floyd will find a place in the permanent repertoire.


When I was 24 I went to Nigeria and it was such a culture shock, growing up in Australia and suddenly being the only white man in this unit full of black men.


There were movies that always made me want to be a director. You see brilliant scenes and the way the emotions were handled. I thought, I'd really like to do that.


Tender Mercies is a very low-budget film, but it was a huge budget compared to anything I had done in Australia. My fee for Tender Mercies was something like five times all of my Australian films combined.


Quite a few operas are still being commissioned around the world, although nothing apart from audience popularity can ensure more than a few performances.


In silent movies, they tended to put the camera down, and everybody walked in front of it and acted, and then they all walked off. Cutting was quite infrequent.


In opera, everyone's watching from a fixed viewpoint, and that really challenges you. Lighting, the sets, stage groupings, the music-but doesn't relate too much to film.


I don't rehearse films as much as opera or theatre. When I began directing films I thought a long rehearsal was a good idea. Experience showed me that the best performance was often left in a rehearsal room.


With a film, I do my best to understand the author's intentions and try to bring the characters to life.


When the music and the characters are flawlessly synchronized, the opera develops an emotional force that movies and plays cannot match.


The number of opera houses around the world and the high attendance rates show that opera an art form that is more popular than ever.


The music of the most popular operas is so highly esteemed, it can stand endless revivals.


Perhaps the most difficult thing is shooting scenes set 6,000 feet up in the mountains of Mexico.


On stage, the audience watches from a fixed viewpoint and the director cannot retake something he doesn't like. It has to work straight through.


There's a bright spot in every dark cloud.


I'd really been interested in opera when I was about 16, and I really like staging them.


I didn't get upset because I wasn't nominated, but I was a little surprised.


He's wrong. That's why his films look so terrible.


For a director, the most challenging scenes are the dialogue scenes.


Directing an opera is similar to directing a play. The singing must not get in the way of the drama.