When I'm working on a movie, I'm in my trailer playing guitar. And then on the road, I read scripts and think of... it just keeps both fires burning. I kind of need both.
The thing about New York is it's like London: you want to go to the boutique places. You can go to the big department stores - Barney's, Bloomingdales and all that stuff - but I like the little stores.
Seriously, my music really does help my acting, and, like, getting in and out of a character from a different lifestyle and writing a song about it. Likewise, my acting inspires the music because I can write a theme that I wouldn't necessarily approach at all in life.
My fans are probably largely female; it wasn't until 'How to Make it in America' that guys started coming up to me: 'You're Bryan Greenberg.' 'Yeah... Don't hurt me. What do you want?' 'Love the show.'
I really hope people go out and support the indie filmmakers, because it's a dying breed and there's a lot of cool voices out there that need to be heard.
I don't think of my music in terms of a career. I just want to get it out there and do it. I'm not manipulating my sound to be like anybody or trying to write to sound like anybody else.
I actually feel like I have developed friendships through Twitter, people that I've worked with I can kind of keep up with them. I've totally turned a corner. I get it. And Instagram.
As I get older, I find myself way more into sports. I'm in a basketball league. You maybe know some of the people in it. They're real people, not fake ones like me.
I'm pretty good with talking to girls if I have an introduction, but I'm the worst at trying to go pick up a girl. I'm really bad at breaking the ice. It's awkward!
'The Good Guy' is a totally differently-looking New York than 'How To Make It' portrays. 'The Good Guy' is all about Wall Street and that culture, which 'How To Make It' touches on, but 'How To Make It' also is downtown, Lower East Side loft parties, cool clubs, Brooklyn and that world.
