In the second grade, I would just get bored and a joke would pop into my head and I would have to say it. It was almost like I had some brilliant novel in my head that I had to get down, and I would interrupt class all the time and get in trouble.
I think a theater show is a pure version of me doing my material. The theater crowd is a bit more polite, there really aren't hecklers, and there are a lot of people there to see me, and they're excited about the jokes and hanging out with me for a show.
I had written for Jimmy Kimmel and Sarah Silverman in the past. Jimmy had a different voice, and different priorities. He couldn't be the bad guy in the joke; he couldn't upset people, really.
Everyone has the same kind of fears; everyone has the same big problems in the world, which is, like, fear of death and 'I hope horrible things don't happen to my family,' but they do. And I think people laugh at them as this great release.
I'm not just offensive, I'm very smart about the way that I do it, and that takes a lot of time. People say that young comics shouldn't be trying these things. That's ridiculous. You should try everything and see what sticks.
On Twitter, when someone would die, I would write a joke. Or if there's a tragedy, I would write a joke and tweet it. That was my thing, and then at a certain point, people started demanding it.
The driving force behind doing everything that I've been doing for 11 years as a stand-up is having problems with authority and not liking to be told what to do.
