Quotes from Tamsin Greig


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I have a shallow understanding of what it means to be alive, and I know certain things about parenting and being a wife and doing the school run. I know little bits, but I'm really a paddler on a beach.


I'll read a recipe but then decide, 'Well, it's sort of like this, then.' Or I'll go to the fridge and think, 'I'll see what I can put together,' and I'll combine beetroot and sausage and prawns with goat's cheese sprinkled on top and think, 'I like that they're all slightly pink. It looks fine and... actually, it is fine.'


Scientifically speaking, if I say something, or it gets misquoted, or people put a spin on it... I mean, are you interested, really, in what people are saying?


There's something in us that lives just beyond our normality - and I think we've all got a song in us. If only we could master that tiny muscle and make it sound listenable.


We live in a fast-paced culture where we're asked to make snap decisions all day long, so I suppose cash-point donations feed into the immediacy of our life experience. So it's a great idea. But I think it needs careful handling.


When I was 17, a neighbour I knew well died of cancer, and I became au pair to her three little girls. In circumstances like that, when you can't really help, I think it's a human response to do something beyond oneself. So I did a sponsored parachute jump for Cancer Research. It was exciting and ridiculous.


You step over the threshold of your parents' home, and you're instantly transported back to your childhood. It's like time travel. You revert at once to a place of arrested development.


Maybe this whole obsession about colouring our hair is about our inability to grow up. To let go of the fact we aren't children any more, and the whole thing about changing our faces and looking young, and 60 being the new 40, is maybe we don't want to let go of our childhood.


I think going from doing TV and straight plays to Shakespeare is weird enough because you have this heightened language, and you are telling a story through metric poetry. But I think music is that place beyond poetry.


I know women at work who don't talk about having a baby because they don't want to upset the apple cart, but unless people know what the problems are, why should they engage with it?


I think if you're trying to be funny, sometimes you're bending a piece of metal in a direction it doesn't want to go. And sometimes comedy just needs to find itself.


I did a drama degree, went to secretarial college, then got a job with a theatre company in Birmingham. It's been a slow burn, which doesn't seem to have gone out.


I cannot step into any day without help. I have a fantastically engaged husband who is very present for his children and our family life. We've got a brilliant nanny, other help from parents-in-law, godparents, friends. Also, I've had incredible women around me in the business.


Going to rehearsals of school plays got me out of science. It became clear what inspired me and what dampened my spirit. The only other thing I could do at school was trampolining - it didn't seem to have much future in it.


Dad was a retired chemist who, in his 60s, fathered and fed me and my two sisters while Mum worked as a secretary. He made us curries, Chinese meals and strange concoctions. He was often unsuccessful.


Writers have to be very careful and discerning because so much of the machine is out of their control.


When we were growing up, women in their late 40s generally didn't dye their hair.


When I was growing up, I was obsessed with 'Cagney and Lacey.'


Radio listeners often have a very fertile imagination when it comes to body shape.


Laughing and crying are very similar. They're an extreme response to life. You see it in children who start laughing hysterically.