Quotes from Jenny Holzer


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The epiphany for me was that I wasn't a writer, and I had to do something with these texts. I put them in the streets as posters.


I began to see that the short texts I was writing were poster material.


Company makes my day.


I moved to New York in the 1970s and started writing when I was at the Whitney Museum Independent Study Program.


That's the test of street art - to see if anybody stopped. People would cross out ones they didn't like and would star others. I liked that people would engage with them.


One thing that changed when I moved upstate was that I became interested in different materials. I started making the stone benches because I was seeing rocks.


It's necessary to start most work alone. But I'm tickled to death when I can pull somebody in or join someone, whether it's borrowing poetry or traveling with an associate.


When my daughter was young, she thought all electronic signs were mine.


Sloppy thinking gets worse over time.


One of the glories and terrors of working in public is that you do see if your output means anything to anyone.


On the worst days, I don't feel like an artist.


I'm always trying to bring unusual content to a different audience - a non-art-world audience.


Expiring for love is beautiful but stupid.


The desperate things seem to require attention, the lovely things seem to elicit celebration. If I had to choose, I would go to the awful in the hope that doing something could yield a happier result.


I think of a piece, and then people who are competent fabricate it. But lately I've started finger painting, which probably should be a joke but isn't!


I get up about four times a night and go back to sleep, or not. Then I swill tea around 8 a.m. I answer e-mail, while I stall thinking about whatever scares me.


Lack of charisma can be fatal.


I wanted to be an abstract painter, but I was rotten at it.


I suspect you've noticed that making art can be lonely.


I am not free because I can be exploded anytime.