With 'Philharmonics,' I had to do a lot of interviews, and it was like I was corrupting something. In many ways, I've said everything in the song. And either I can't go back to what it was because it's changing when I play it, or I still haven't figured out what the song is about.
What I discovered in Berlin was this immense freedom because it felt like you could start any kind of project and nobody would care... and that's what I sort of adopted to my own.
I used to get very nervous before a concert. It's okay when you are in a band. You can kind of disappear. But when it's just you... yes, that was difficult. I would not say it is easy now. But when you do it for a long time, you do learn to cope.
I have a difficult relationship with jazz. My parents really love it, and I went to a school where jazz was considered the best thing ever, so I had to leave it be for a long time. But now I'm rediscovering it. I'm approaching jazz in a different way.
Everything that has a spare piano is 'like Satie' and everything with strings is 'filmic,' Sometimes I get annoyed when they say my stuff sounds 'like Satie'. No, it doesn't. At least, I don't think so.
I've heard from other artists that people are a little bit more reserved in Northern Europe, which comes across at concerts, where the audience may be quieter. So this means less hecklers, but maybe it also means that people may not be as open about how they felt. I'm not so sure this is especially true of Denmark, but it's what I've heard.
