The writing is the springboard for your intuitive stuff and then you see, maybe a colour of what you want to achieve. Then you bring in the technique you've learnt. But when you're on film, you're not always in control of that. That's what makes me believe in a kind of collective unconscious, a sort of experience you draw on.
It's the idea that when you say 'actress', people think of an airy, floaty, no-brain person, which of course you can't be if you are an actor. It is an unfortunate word, which is why, for a time, I hung on to 'actor', because it just seemed more workmanlike, you know, like you say 'woman doctor' not 'doctoress'.
It's difficult to keep in touch with someone when you're moving around all the time. I've decided that you can have it all, but you can't have it all, all of the time.
It's a wonderful profession, and it opens lots of doors, and I think it's quite right that people can accuse actors and actresses of being dilettante, but you learn on every job, whatever it is, the process moves you on in some way, and yeah, I want to expand my knowledge of our existence, I suppose.
I've never felt stigmatized in my profession, nor have I allowed myself to. I don't feel either male or female, I feel I am just me, and I should be able to do whatever I like.
I'm not someone who can lie on a beach and do nothing. I am not sure what you are supposed to do, so I get bored. I prefer to have a purpose, such as going to Alaska to see orca whales.
In my industry, everybody wants to know everything about you, and it's just dumb. I think the only way of maintaining some of that mystique is by not giving away too much about yourself. It has served me well so far. I never want to feel up for grabs.
