Quotes from Rob Sheffield


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You can't beat the beehive for glam punkette attitude.


Being a pop fan is a lot like Catholic devotion - lots of ritual, lots of ceremony... We touch the icon to enter the sacred space, genuflecting to reliquaries and ostentatoria that make something splendid of our most secret desires and agonies.


Madonna was so flamboyant in terms of her look, her style, her public pronouncements, her religious taboo-smashing.


Hometown Aerosmith fans are different from other Aerosmith fans, and that mainly has to do with Joe Perry. It's tough to overstate his strange grip on the local psyche. Tyler is a star who belongs to the whole world, but Perry, that dude belongs to Boston.


It was R.E.M. who showed other Eighties bands how to get away with ignoring the rules - they lived in some weird town nobody never heard of, they didn't play power chords, they probably couldn't even spell 'spandex.' All they had was songs.


'Buncha Losers' comedy is one of those homegrown American art forms, up there with infomercials and Elvis-shaped soap carvings. No other civilization could have invented it. The French took a stab with Sartre's 'No Exit,' but then they had to ruin it with a lesson at the end.


We all get as miserable as Erika M. Andersen sometimes, but we rarely approach her musical-ideas-per-miserable-minute ratio.


Thanks for existing, R.E.M. It's hard to overstate how much these guys changed everything, creating an entire rock audience in their own image.


I've built my whole life around loving music. I'm a writer for 'Rolling Stone,' so I am constantly searching for new bands and soaking up new sounds.


Every American wants a clean slate, but nobody wants to lose what they've got.


Like many other touchstones of twenty-first-century pop culture, 'The Sopranos' was hatched in the late Nineties, predicting a future that never arrived. It was designed for a decade that would be just like the Nineties, except more so, in an America that enjoyed seeing itself as smarter and braver and freer than ever before.


Most of an award-show host's job is showing up and keeping a cool head and soldiering through it, whether it's the Oscars or the Hallmark Channel's 'Hero Dog Awards.'


That's the rub about 'Community' - for all the high-concept cleverness, it really comes down to vulgar humanism, the dumbest kind of sentimental identification. We watch it because we like these people and we miss them when they don't show up. They become part of the stories we tell ourselves.


The key thing about LCD Soundsystem is that people always wanted this band to exist. For years, it was glaringly obvious that a band like this should exist, and people were impatiently waiting for them to show up.


The main job requirement for a network-news anchor is thinking it's the only important job in the world. This is a field where solemn gravitas isn't a drawback; it's the whole point.


Watching the evening news in 2011 is a strange time-travel experience. 'The CBS Evening News,' 'ABC World News' and 'NBC Nightly News' haven't changed their style over the decades, still going for that old-fashioned mix of voice-of-authority pomp and feel-good fluff. The difference is that people aren't watching.


'I'll Tumble 4 Ya' has to be one of the most ridiculous hit singles that any international superstars have given the world.


Celebrity despicability is a precious thing.


'Drive,' that's the one. I love dozens of songs by R.E.M., but that's the one, even though it took me 7 or 8 years to start liking it.


Like most fans of 'So You Think You Can Dance,' I wouldn't know a pasodoble if it beat me with a rake.