Quotes from Lynda Barry


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Remember when you were in school and the teacher would put a picture under an overhead projector so you could see it on the wall? God, I loved that. Tellya the truth, I used to look at that beam of light and think it was God.


When you learn about stories in school, you get it backward. You start to think 'Oh, the reason these things are in stories is because a book said I need to put these things in there.' You need a death, as my husband says, and you need a little sidekick with a saying like 'Skivel-dee-doo!'


I think of images as an immune system and a transit system.


I run a tight ship, but I try and make it seem like I'm not doing that at all.


I need to be cheered up a lot. I think funny people are people who need to be cheered up.


I am not sure how much I would like being married if I wasn't married to him. A man who likes flea markets and isn't gay? I knew I was lucky.


I am about as detailed as a shadow.


Going on Letterman is like going off the high dive. It's exhilarating, but after a while it wasn't the kind of thrill I enjoyed.


The happy ending is hardly important, though we may be glad it's there. The real joy is knowing that if you felt the trouble in the story, your kingdom isn't dead.


Playing and fun are not the same thing, though when we grow up we may forget that and find ourselves mixing up playing with happiness. There can be a kind of amnesia about the seriousness of playing, especially when we played by ourselves.


The minute you understand racism, you're responsible for being racist. It's like eating from the tree of knowledge.


The strips are nearly effortless unless I am really emotionally upset, a wreck.


I found myself compelled - like this weird, shameful compulsion - to draw cute animals.


In my writing class, we never, ever talk about the writing - ever. We never address a story that's been read. I also won't let anyone look at the person who's reading. No eye contact; everybody has to draw a spiral. And I would like to do a drawing class where we could talk about anything except for the drawing. No one could even mention it.


Sometimes I think I'm the craziest person on the planet.


I do love to eavesdrop. It's inspirational, not only for subject matter but for actual dialogue, the way people talk.


Kids don't plan to play. They don't go: 'Barbie, Ken, you ready to play? It's gonna be a three-act.'


We don't create a fantasy world to escape reality. We create it to be able to stay.


'Good Times' is a story about the loss of innocence, how adults are responsible for their actions but children aren't.


Love is an exploding cigar we willingly smoke.