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The more times I was turned down, the more I believed I was getting closer to making it. A lot of people in Korea say that failure is the mother of success, so I believed that more times I failed, the more likely I was to succeed.
I was very innocent and shielded as a child, so I didn't know a lot about music or dancing. When I was in Primary Six, no one would participate in a talent show, so I decided to go on. When the audience applauded me, I felt euphoric, and I started dancing right after that!
I learned that instead of relying on and imitating American music, there is a better chance for an Asian artist to succeed if he or she follows his or her own culture.
I dedicated my 20s, my passion and energy to the name 'Rain.' I always did my best, and I thought if I did, it would eventually show, and even if it didn't turn out well, I wouldn't have any regrets.
I experienced firsthand what it means to be poor, what it means to go hungry, and that, I think, may be the reason, the root cause of why I'm able to work so hard, even these days.
In Korea, when I started, there wasn't a trend where people chose to be both actors and singers. I was the first to do both. It was a great deal hard work, but I got a lot of support and love from my audience. And for me to receive the same treatment overseas, I felt that I was also very lucky.
I want to challenge myself to see where my limit is and experiment with a lot of different films. A lot of artists from Asia focus too much on their Asian background. I don't want to let go of my background, but to be a success in the U.S., which is my goal, I realize I need to surround myself with American filmmakers and producers.