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Patrick deWitt Quotes - IQDb - Internet Quotes Database

Quotes from Patrick deWitt


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A lot of authors, judging by their list, will put anything out that they finish... That's the worst model I've heard of in my life. It's just idiotic. Why wouldn't you just wait for the good ones?


A lot of my favourite books - I should say, not much happens in the books! It's much more about the points of view of the author more than anything else.


I heard somewhere that whenever you write a book, people will ask you One Question about it over and over. And while I'm no expert in these matters, this is proving to be true. My first book dealt with a not-that-pleasant degenerate type, and the One Question was, 'Is this an autobiographical story?'


After school, I got a job in a shop in Hollywood and shared an apartment with a friend. I promptly lost my job and got evicted from my apartment, and that happened several times.


All of my close friends are emotional train wrecks. This is what makes our lives interesting - constantly doubting ourselves, worrying, wondering if we've made a mistake. Could we have done better? Are we good people? Are we bad people?


After 'The Sisters Brothers,' I tried to write a contemporary story dealing with an investment adviser in New York City who moves to Paris. I did all this research, but after about a year and any number of pages written, I was bored stiff.


Working in a bar was a horrific idea for me.


When your protagonist bores you, you're in trouble.


When you meet someone you love, whether or not they love you back, something occurs in you that makes you want to improve yourself.


Unfunny people should be locked up, the key tossed into a smelter.


All the books I was reading as a teenager were about individuals having adventures. So I thought that was what writers were supposed to do: to go out on the road.


As a reader I want to be present and entertained. I don't want to be taught lessons, and I don't want to be spoken down to. I want to be treated as a peer and to be made to feel welcome.


At the age of seventeen, I decided I would spend my life writing fiction. I didn't know what this entailed, exactly - a room, I supposed. A room and books and paper and solitude.


By the time I left the bar, I was 30. I was a dishwasher. They call it a bar-back, but essentially, I washed dishes for a living. I had no high-school diploma, I had no agent, and my literary successes were non-existent... but it was the only thing I ever wanted to do, so I did feel trapped.


Especially if you're endeavouring daily to write your own books, you read with a degree of - well, it's hard to forget you're a writer when you're reading.


Humorous writing is often thought of as substandard in comparison to work with a more dramatic or tragic intent. I don't know what to say to this except that I disagree wholeheartedly.


I am increasingly unimpressed by works of art that require a college degree to understand. I think that art should be for everyone. And people should be moved by it.


I carry a small spiral notebook with me at all times and have been doing this for many years. There's a shoe box in my closet filled with these notebooks, each riddled with notes and impressions, ideas, schemes, and soup recipes.


I come by writing dialogue fairly naturally, I've got a chatty family; I'm a bit of a voyeur, and if I'm ever in a public place, I automatically find myself listening.


I don't consider Los Angeles home anymore; ultimately, it was pretty negative, but I did spend my formative years in the Valley and all around L.A. proper. Through my teenage years and into my young adulthood, up until the age of 30, I spent a good amount of time there.