It's really not about me. At the end of the day, God willing, I'll have another 40 or 50 years on this planet, and what I'm saying to myself is, 'What do I want to leave here?'
It's weird because music is this thing that you love doing, and it comes completely from a place of creativity, and then that transfers into having to manage a business and make decisions and figure out what is the best route to go in terms of getting your product to as many people as possible.
The man that got me into collecting sneakers in the first place was the man they call Michael Jordan. He was the one who kind of exposed me to the sneaker world - he was my favorite basketball player, and he had the best shoes.
The question is, What type of human do I want to be? How do I want to use my platform? Do I want to be safe, under the umbrella of my white privilege? Or do I want to push back and resist?
There's this tendency to be like, 'Where's the negative stuff? How valid is the criticism?' But honestly, what people think of me is none of my business. If I live on the Internet looking for public approval, I'm going to be miserable.
It's easier, as a white person, to be silent about racial injustice. It's easier. On paper. But it's not easier on the whole, because injustice affects all of us, whether we know it or not, whether we acknowledge it or not.
I think that there will always be artists out there who think they need to sign a major label deal in order to be successful. And that machine is what is going to work for them - there's tons of examples of pop stars who need that machine.
I think people are enticed by indie rap and every time you have a group going against the grain, they're gonna be like, 'Wow, you did it yourself in 2012, that's impressive - how did you do it? What're you doing that's different? And how can I be a part of it?'
