Quotes from Steve Lacy


Sorted by Popularity


Jazz is people's music, a collectivity.


Register is very important. Music sounds best in a certain register.


What I learned with Cecil Taylor was strategy and survival and how to resist temptations and resist getting discouraged.


When I heard Monk in person in 1955, he was playing with a quartet in a small club. The place was full of musicians, but there was no public at all.


Whoever has an original thing to say, it is sort of a threat to the status quo.


You must have the music to justify an instrument's extensive use.


The more original something is, the more of a threat it seems until the people catch up with it. That happened with Thelonious Monk. It happened with anybody who is really original.


There is an awful lot of what I call recreational jazz going on, where people go out and learn a particular language or style and become real sharks on somebody else's language.


When I found the music of Monk I finally found music that fit that horn. Every one of his tunes fit it perfectly.


Nobody was playing the soprano saxophone and certainly nobody was trying to do anything with it. So I was all alone. I didn't know that at first.


People don't want to suffer. They want to sound good immediately, and this is one of the biggest problems in the world.


If you're trying to invent something new, you're going to reach a lot of discouraging points, and most people give up.


If you have music you want to play that no one asks you to play, you have to go out and find where you can play it. It's called do or die.


I was spoiled by Monk's music because it was so good, so complete.


I started in New Orleans music and played all through the history of jazz.


I heard Sidney Bechet play a Duke Ellington piece and fell in love with the soprano saxophone.


I fell in love with jazz when I was 12 years old from listening to Duke Ellington and hearing a lot of jazz in New York on the radio.


Before the work comes to you, you have to invent work.


We played for peanuts. But we did what we wanted to do, we heard what we wanted to hear, we performed what we wanted to perform, we learned what we wanted to learn.


If you listen to Louis Armstrong from 1929, you will never hear anything better than that really, and you will never hear anything more free than that.