Quotes from Frank Black


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As soon as I got into music, I tried to be a working, real artist who gets paid for what he does, who doesn't have a day job.


I've got a small, loyal audience, which is great. And I appreciate that. They're there for me every time.


They're pretty good actually, Hall & Oates. I gotta give them credit. They got a lot of toe-tappers.


I certainly have gotten caught up in the music business at various times in my life, mostly because you want to get along with whatever record company you're dealing with. I don't want to be flaky. I don't want to be some temperamental, hard-to-work-with musician.


I don't make records that way, where I'm trying to please the marketplace or anything. Not because I have anything against that, it's just never been a part of my aesthetic, even when I was with the Pixies.


I think everyone should sell whatever product they want to sell for whatever price they want to sell it for, but ultimately the market will dictate what it is and people will have to charge less money for everything. Record companies have been overcharging people for way too long and now this is the trouble that they're in.


They're a different generation, those kids; kids that are under the age of twelve. They're not that impressed by rock music, you know what I mean? They're like, it's cool and everything, but whatever. They're just as impressed by YouTube.


You should never rely on interviews with musicians as being factual. Most of them are mangled and even have made up stuff in them, that is to say, made up stuff by the writer or editor.


The dumber half of the audience - whether they're male or female, and a lot of them are male - for some reason responds very quickly to the feminine voice. How can I put it? They kind of instantly react to the female voice in a positive way quicker than they would the male voice.


It's sour grapes, I admit, I want to be more famous so people are examining my work couplet by couplet, you know what I mean? That's the level where I want to go.


But the truth is that critics are by definition critical. That's their job.


I can remember back as far as age 8, performing with the Boston Folk Song Society. It was a Woody Guthrie song.


I have two step-kids and one of my own on the way. That's three college funds.


I listen to Neil Young and jazz and classical stations and, if my girlfriend's driving, it tends to be Hall & Oates.


My most cryptic, strange songs might be my most personal, but that isn't how people are going to receive them, because they don't know the code.


Bob Dylan is quite a songwriter, and a great singer and musician. I won't bother with comparing myself to him, but I will say that I heard his records at a very young age and I still listen to all his records.


I don't want to do children's music. I write kids songs, but the kids songs I write are for my kids - like when I'm putting them to bed. We sing some song that we made up but I don't want to make a record like that.


It's obvious you shouldn't steal, kill or be cruel.


I'm not saying that people have to listen to rock music. It's a great, cool thing and it can really be liberating for a lot of people but, hey, so can Charles Dickens so I'm not going to judge.


I'm an untrained musician. Untrained musicians don't really have any music theory, they don't have a lot of rules. We break the rules, but it's mostly because we don't know what the rules are. It's easy for us to go to certain places, so I'm not surprised that a lot of people were amused by my songwriting style.