In a way, the whole tangible universe itself is a vast residue, a skeleton of countless lives that have germinated in it and have left it, leaving behind them only a trifling, infinitesimal part of their riches.
When I looked at the skeleton of 'Damn Yankees,' I saw an indestructible story, absolutely original characters, one of the freshest, sassiest American scores of the century, and some outmoded equipment.
Certainly the first true humans were unique by virtue of their large brains. It was because the human brain is so large when compared with that of a chimpanzee that paleontologists for years hunted for a half-ape, half-human skeleton that would provide a fossil link between the human and the ape.
The general framework of the body is built up mainly of a series of bones, supplemented, however, in certain regions by pieces of cartilage; the bony part of the framework constitutes the skeleton.
After preliminary research, I zero in on an idea, and then I spend at least four months exploring the topic and in plot-building. I jot down every single detail of the plot as bullet points per chapter, and only when the skeleton is complete do I start writing.
You can't improv off of bad writing. Then you have to actually create your objective, which is really hard to do in an element without the skeleton to go off of.
I myself identify as a recovering Blockhead. You'd be surprised how many twenty- and thirty-something hipster chicks have the NKOTB skeleton in their closet, albeit artfully concealed by stacks of Ksubi skinny jeans and ironic Judas Priest T-shirts.
There's got to be a backbone, there's got to be a skeleton to the whole way I perform, but you never want to hit the same note twice during a performance, I think. I think it's always got to be fresh so it doesn't bore me, and I always want to go out on edge.
Plot is what happens in your story. Every story needs structure, just as every body needs a skeleton. It is how you 'flesh out and clothe' your structure that makes each story unique.
When I first began to have the initial idea for 'Heartsease,' I just wrote a skeleton story; that is, I started her off as this young, bright 16-year-old and then added the events that occurred and where she and other characters fitted in, even writing 3 different endings, as I was not sure where Mary's story would lead to.
I read round the subject, I make a skeleton outline, and then I start work in the relevant archives. During the marshaling of the material, I copy the material from each archive file across to the relevant chapter in the skeleton outline.
