Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part.
We are all instruments endowed with feeling and memory. Our senses are so many strings that are struck by surrounding objects and that also frequently strike themselves.
The mind is like a richly woven tapestry in which the colors are distilled from the experiences of the senses, and the design drawn from the convolutions of the intellect.
It is clear that every immediate object of our senses both exists and is real in the primary meaning of these terms so long as we remain aware of the object.
Most of my Muslim friends are politically liberal in a lot of senses. They are far more open-minded than the Christian circles I grew up in, which are, you know, actually scarier. That said, too, I still identify with the teachings of Jesus. I don't think they resemble or relate to modern-day Christianity.
Your senses are reeling all the time. Finally you find something to write and the very next day you go out and see something else which totally contradicts what you've written and every conclusion you've come to.
In a world where so much happens through computer screens, making a meal by hand, touching the raw materials, feeling your way through a recipe, tasting, adjusting, engaging all the senses, can be a soothing release.
I'm a very senses-oriented person, and I want to bring readers in on the level of the senses, so they can experience another culture and another place.
In many senses, 'Borgen' was a very democratic show. I was always invited to hear the writers' thoughts for the next episodes and allowed to comment on them.
Whoever realizes that the six senses aren't real, that the five aggregates are fictions, that no such things can be located anywhere in the body, understands the language of Buddhas.
On recovering my senses, I hastened to quit a place where I hoped there was nothing further to detain me. I first filled my pockets with gold, then fastened the strings of the purse round my neck, and concealed it in my bosom.
And so, when I was a young writer I always worked hard on imagery, and I knew that the roots of imagery were the senses - and that if my readers could feel, taste and see what I was talking about, I would be able to tell them a story.