Sometimes you have got to look at things really positively - without putting your head in the sand, you have got to manage the negatives and keep putting a positive slant on it, keep trying to find answers.
I think a responsibility comes with notoriety, but I never think of it as power. It's more like something you hold, like grains of sand. If you keep your hand closed, you can have it and possess it, but if you open your fingers in any way, you can lose it just as quickly.
In interior decorating, the pig's actually quite there. It's used in paint for the texture, but also for the glossiness. In sandpaper, bone glue is actually the glue between the sand and the paper. And then in paintbrushes, hairs are used because, apparently, they're very suitable for making paintbrushes because of their hard-wearing nature.
Some people are averse to change, but the advertising model is going to change with or without the Hopper. What we're saying to the broadcasters is, 'There's a way for you not to put your head in the sand.'
I don't want to kill ads. I think advertising is great, and I'm very aware that there's multiple revenue streams in television, subscription and advertising. But I also don't want to put my head in the sand, and I think the world is changing.
You can do one of two things. You can bury you head in the sand and believe what everyone tells you - that you will always be that young, that thin and that fabulous. Or you can use all the things you have - talent, contacts, knowledge - and do something different.
We're all making castles in the sand, wonderful tapestries, an exquisite corpse. But is it meaningful? No. It's dogs barking. It doesn't mean anything beyond our yelping, at the pain of being alive.
The challenges surrounding HIV and AIDS are getting more complex and mature, and we just can't stick our heads in the sand and say 'it can't happen to me.'
Dylan, myself and my father were in a two hour movie called The Sand Kings, which started off the Outer Limits series. It was sort of the two hour pilot movie.
Every so often, we all gaze into the abyss. It's a depressing fact of life that eventually the clock expires; eventually the sand in the hourglass runs out. It's the leaving behind of everything that matters to us that hurts the most.
It is such a cut throat industry where you get knocked down so much and get rejected so much. If you do not back yourself up, no one else is going to so you really need to learn to get up, shake the sand off your chest and keep going.
I was really surprised at the success of 'House of Sand and Fog,' because it is so awfully dark. Believe it or not, when writing it, I never had the word 'tragedy' in my head - I wasn't trying to write a dark book at all.
I'm one of those writers who can't talk about what they're working on. The entire four years I was writing 'House of Sand and Fog,' my wife never saw a word of it. I just have to keep it in the womb, and then everyone can have a crack at it.
