We regard those other cultures, such as that of India, where many people live and believe and behave much as they did 1,000 or 2,000 years ago, as undeveloped.
In India, we never distinguished between history and myth. Our Puranas as well as Itihasas contain fantastical tales. They are lies that convey deeper truths.
Indian films have this obsession with hygienic clean spaces, even though the country's not so clean. They're either shot in the studios or shot in London, in America, in Switzerland - clean places. Everywhere except India.
In England or America, actors do not have to cater to an image. In India, it is almost demanded of us. Very seldom do you get a film where you can walk away from your image.
The demand in India is to have a hit, which becomes a promotion for the movie and makes people come to the theater. You have five songs and different promotions based on those. But when I do Western films, the need for originality is greater. Then I become very conscious about the writing.
Do you think that the people of South Africa, or anywhere on the continent of Africa, or India, or Pakistan are longing to be kicked around all over again?
Among the various vernaculars that are spoken in different parts of India, there is one that stands out strongly from the rest, as that which is most widely known. It is Hindi. A man who knows Hindi can travel over India and find everywhere Hindi-speaking people.
Even in India the Hindi film industry might be the best known but there are movies made in other regional languages in India, be it Tamil or Bengali. Those experiences too are different from the ones in Bombay.