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I think I've been quite lucky in that I haven't had to make too many changes to myself. Obviously, there have been adaptations and things that I've altered, but I haven't changed completely. I've stayed myself.
Writing has certain advantages; film is another way to tell a story. An experienced filmmaker will take what she needs from the book and leave out other things. With adaptations, you never get the texture of the writing: it's a different mode.
As China is about adaptation, not transformation, it is unlikely to change the world dramatically should it ever assume the global driver's seat. But this does not mean that China won't exploit that world for its own purposes.
I think that my main criticism in that book was directed at the general assumption that adaptation characterizes populations and species, rather than simply the individuals in the populations and species.
Oftentimes when you see adaptations of books you like, you're let down. As an author, you assume that they are going to suck. A little bit of hope is dangerous.
It's very important to understand that the 'Talk' piece was not an excerpt, it was an adaptation, which means I compressed different parts of the book and made a new piece.
'To Kill a Mockingbird' appeared to highly favorable reviews and quickly climbed to the top of bestseller lists, where it remained for more than eighty weeks. In 1961, the novel was awarded the Pulitzer Prize. A film adaptation was released in 1962, starring Gregory Peck, and received three Academy Awards.
To me, the ultimate crime in an adaptation is the crime of reverence. A novel is one form of media, a screenplay is another, and a movie is yet another. There's even reverence to a screenplay.
An adaptation I was working on of Trollope's 'The Pallisers' has been axed by the BBC... I was also going to do Dickens' 'Dombey and Son' but they've asked me to do 'David Copperfield' instead.
Interestingly, I never thought I'd do an adaptation. I've also been quite against them. I think trying to translate one medium to another is wrong. I never really felt that books fitted into film. Generally people are disappointed, aren't they?
My main point about films is that I don't like the adaptation process, and I particularly don't like the modern way of comic book-film adaptations, where, essentially, the central characters are just franchises that can be worked endlessly to no apparent point.
