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Jhumpa Lahiri Quotes - IQDb - Internet Quotes Database

Quotes from Jhumpa Lahiri


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I approach writing stories as a recorder. I think of my role as some kind of reporting device - recording and projecting.


You know, since the reviews have come out and people have reacted to it, I've realized that is in a sense what has happened. But as I was writing them, I didn't feel a part of any tradition. I think that would have been too overwhelming, in a sense.


It didn't matter that I wore clothes from Sears; I was still different. I looked different. My name was different. I wanted to pull away from the things that marked my parents as being different.


In New York I was always so scared of saying that I wrote fiction. It just seemed like, 'Who am I to dare to do that thing here? The epicenter of publishing and writers?' I found all that very intimidating and avoided writing as a response.


In fiction, plenty do the job of conveying information, rousing suspense, painting characters, enabling them to speak. But only certain sentences breathe and shift about, like live matter in soil.


I've seen novels that have grown out of one story in a collection. But it hasn't occurred to me to take any of those stories and build on them. They seem very finished for me, so I don't feel like going back and dredging them up.


I've never had Internet access. Actually, I have looked at things on other people's computers as a bystander. A few times in my life I've opened email accounts, twice actually, but it's something I don't want in my life right now.


I don't know why, but the older I get the more interested I get in my parents' marriage. And it's interesting to be married yourself, too, because there is an inevitable comparison.


For that story, I took as my subject a young woman whom I got to know over the course of a couple of visits. I never saw her having any health problems - but I knew she wanted to be married.


When I sit down to write, I don't think about writing about an idea or a given message. I just try to write a story which is hard enough.


I would not send a first story anywhere. I would give myself time to write a number of stories.


The first sentence of a book is a handshake, perhaps an embrace.


A lot of my upbringing was about denying or fretting or evading.


I've inherited a sense of that loss from my parents because it was so palpable all the time while I was growing up, the sense of what my parents had sacrificed in moving to the United States, and yet at the same time, building a life here and all that that entailed.


He told me he was working as an interpreter in a doctor's office in Brookline, Massachusetts, where I was living at the time, and he was translating for a doctor who had a number of Russian patients. On my way home, after running into him, I just heard this phrase in my head.


Relationships do not preclude issues of morality.


The urge to convert experience into a group of words that are in a grammatical relation to one another is the most basic, ongoing impulse of my life.


I find it really liberating to be in a place where I am a foreigner in every way. I've lived with this all my life - this divide, this bifurcation. And in Italy, I don't feel it. There's none of that tension, only the expectation I place on myself to speak the language well. I find it relaxing. Something drops away, and I observe.


My parents had an arranged marriage, as did so many other people when I was growing up. My father came and had a life in the United States one way and my mother had a different one, and I was very aware of those things. I continue to wonder about it, and I will continue to write about it.


On the screen I saw tanks rolling through dusty streets, and fallen buildings, and forests of unfamiliar trees into which East Pakistani refugees had fled, seeking safety over the Indian border.