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Lois Lowry Quotes - IQDb - Internet Quotes Database

Quotes from Lois Lowry


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People are starting to refer to 'The Giver' as a classic, but I don't know how that is defined. But if it means that 10, 20, 50 years from now kids will still be reading it, that is kind of awe-inspiring.


When you lose a child in an accident as I did, it's final - you're not caught in this longing for him, to search for him, knowing he's out there some place.


In my writing, I focus lenses. I'm almost always seeing when I am writing.


I've always been fascinated by memory and dreams because they are both completely our own. No one else has the same memories. No one has the same dreams.


What comes to me always is a character, a scene, a moment. That's going to be the beginning. Then, as I write, I begin to perceive an ending. I begin to see a destination, although sometimes that changes. And then, of course, there's the whole middle section looming.


I was a sidelines child: never class president, never team captain, never the one with the most valentines in my box.


When I create characters, I create a world to inhabit and they begin to feel very real for me. I don't belong in a psych ward, I don't think, but they become very real, like my own family, and then I have to say goodbye, close the door, and work on other things.


The grand surprise has really been the fact that being an author, which to me had always implied being a private person, actually requires you to be a public person as well, and those are two separate entities to me.


I don't set out to transmit a message. I don't write with a political point of view. There are no religious overtones. Looking back at my books, I can say, 'Oh, yes, it is there.' But it's not in my mind when I write.


Writing is self employment, so you can make your own schedule.


People in the know say 'The Giver' was the first young adult dystopian novel.


People can lie in letters, but they tend not to. They certainly lie in memoirs.


People do things that turn out badly, often for the most benevolent of reasons.


I believe without a single shadow of a doubt that it is necessary for young people to learn to make choices. Learning to make right choices is the only way they will survive in an increasingly frightening world.


I turn to books for a feeling of companionship: for somebody knowing what I have known.


Kids deserve the right to think that they can change the world.


Submitting to censorship is to enter the seductive world of 'The Giver': the world where there are no bad words and no bad deeds. But it is also the world where choice has been taken away and reality distorted. And that is the most dangerous world of all.


I've always been interested in medicine and was pleased when my brother became a doctor. But after thinking seriously about that field, I realized that what intrigued me was not the science, not the chemistry or biology of medicine, but the narrative - the story of each patient, each illness.


When I wrote 'The Giver,' it contained no so-called 'bad words.' It was set, after all, in a mythical, futuristic, and Utopian society. Not only was there no poverty, divorce, racism, sexism, pollution, or violence in the world of 'The Giver'; there was also careful attention paid to language: to its fluency, precision, and power.


As female hormones decrease, they're replaced with an overwhelming urge to grow delphinium.