Quotes from Robert Crumb


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Throwaway pens are no good - I never liked them. I've tried them all.


When people say 'What are underground comics?' I think the best way you can define them is just the absolute freedom involved... we didn't have anyone standing over us.


The comics are where all the crazy subconscious stuff comes out.


I'm just a negative person, a deeply negative person. I see the worst aspects of everything.


I have always had an abiding interest in that type of female anatomy.


Everything that is strong in me has gone into my art work.


Pictures have a lot more power than text. Text is just a bunch of little symbols. You have to actually read it and imagine it, and even that can be censored. With pictures, it's a lot more immediate.


I'm into old-time music; I'm not very interested in modern, popular music at all. And if I'm really into some particular old-time musician, some fiddler or banjo player, I'm always dying of curiosity to see what they look like. So there's some connection between visual images and music.


I was raised Catholic and I went to church until I was 16. I went through a phase when I was 15 of being quite fanatically Catholic. I was going to church a lot, receiving communion, saying the Rosary, praying, all that stuff. But when I started scrutinizing it, it just fell apart so quickly.


I moved further and further away from mass entertainment. The sexual element became increasingly sinister and bizarre. Don't blame me! The bastards drove me to it! They all backed off after that!


Violence begets violence, and then you get leaders who are violent men. And you don't want that.


I would call myself a Gnostic. Which means, I'm interested in pursuing and understanding the spiritual nature of things. A Gnostic is somebody seeking knowledge of that aspect of reality.


When I come up against the real world, I just vacillate.


I felt so painfully isolated that I vowed I would get revenge on the world by becoming a famous cartoonist.


Oh, yes. I knew I was weird by the time I was four. I knew I wasn't like other boys. I knew I was more fearful. I didn't like the rough and tumble most boys were into. I knew I was a sissy.


I oughta be rich. But, you know, if you don't spend all your time looking after money, somebody else will. The guys who look after money, they're the ones who get the money.


When I go back to America, after a few days I am once again filled with this kind of angry alienation and disgust with this thing there that America has got - you have no idea how pervasive it is there. The public relations and propaganda put out by the corporate mono-culture there is so pervasive.


I use the old Strathmore vellum surface paper, which is the best paper you can get in the Western world for ink line drawing. It has a good, hard surface.


You must thank the gods for art, those of us who have been fortunate enough to stumble onto this means of venting our craziness, our meanness, our towering disgust.


You can't make everybody love you. It's an exercise in futility, and it's probably not even a good idea to try.